The Future of Money: It’s Flexible, Frictionless and (Almost) Free via Wired Magazine via @brainpicker
WSJ on “The Phoebe Effect” - LVMH Wipes Céline Slate Clean http://bit.ly/dvHtY6 via @CREATETHEGROUP
Thanks for the stunning images! RT @JessicaMichault The final Mcqueen show was breathtakingly beautiful. Filled with angels, religious reference & gilded wings.
Celine’s perfectly modern creative director PHOEBE PHILO is on the cover of THE GENTLEWOMAN, Fantastic Man’s sister magazine, edited by Penny Martin, available March 22.
Striking graphic prints via The Sartorialist
The fantastical TIM WALKER shoots STELLA TENNANT and CHARLES GUISLAIN for ITALIAN VOGUE March 2010 via @asvof
This Klaus Nomi-inspired illustration by Hormazd Narielwalla made me smile via @asvof via T Magazine
Key quote: “Book publishing, advertising, media and even the fashion industry are all located in New York. These are the main industries that are being reshaped and redefined by technology and the Internet,” says AnnaLee Saxenian, a professor at the University of California, Berkeley, who studies regional economics and technology entrepreneurship.
Am liking Philip-Lorca diCorcia polaroids shot in Cuba - super focused little windows - David Zwirner Gallery #armory
Piotr UKLANSKI’s 3-D blood-soaked organs are really visceral - Galerie Emmanuel Petotin #armory
Can’t wait to see Attila with @rujujasani: sets by Herzog & de Meuron, costumes by Miuccia Prada.
New work by Ryan McGinley features subjects “suspended in an eternal artifice, a strategic nowhere.” Opening 6:00PM Thursday March 18th at Team Gallery
Les Champs-Elysées by Joe Dassin - my favorite song for sunny mornings!
Great comment from Sarah Mower on Balenciaga A/W/ 2010 makes a broader psychological point on the key to visual resonance: “there is so much in it that reminds the brain of things it’s seen before, but isn’t quite like them at all.”
